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When

Occurs on Wednesday September 7 2016

Approximate running time: 1 hour and 50 minutes

Venue

Oneglia Auditorium
68 Main Street
Torrington CT 06790

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Making his Warner Theatre debut, critically acclaimed Philadelphia singer and songwriter Amos Lee hits the road this Fall in support of his sixth full-length album. His new single "Vaporize"  released on June 3 is the first glimpse at his highly anticipated album debut on John Varvatos Records/Republic Records, also set to release this Fall. "Vaporize" is driven by expansive production, elegant keys, and the unmistakable soulful delivery that drives Lee's signature sound. The song immediately enchants and signals a bright new chapter for the artist whose lyrical content and infectious melodies captured audiences worldwide with songs like "Colors", "Flower", "Shout Out Loud" and "Windows are Rolled Down."  His most recent album, Mountains Of Sorrow, Rivers Of Song, earned acclaim from The New York Times, Entertainment Weekly, Paste, and More. Lee's previous offering, Mission Bell, took #1 on the Billboard Top 200. Along the way, he has perform on late night television shows Jimmy Kimmel LIVE!, Tonight Show with Jimmy Fallon, and the Late Show with David Letterman.


AMOS LEE just released his new single “Vaporize” at all digital retailers. Get it HERE. Listen HERE. This is the first release from his forthcoming sixth full-length album and debut for John Varvatos Records/Republic Records.

“Vaporize” indicates a distinct musical evolution for the critically acclaimed Philadelphia singer and songwriter. Driven by expansive production, elegant keys, and his unmistakable soulful delivery, the song immediately enchants and signals a bright new chapter for LEE.

AMOS comments on the release of the new single, “I wrote the verse and chorus of "Vaporize” one day.  Then put it on the shelf for a while until I heard “Studio” by ScHoolboy Q, which made me wanted to find a way to do something with that flavor in a room with a drummer and bass player.  Add to it live strings moods, and an incredible rhythm section, and you get the core of “Vaporize.”

Label founder and namesake and fashion icon John Varvatos says, "I am extremely excited to have the opportunity to work with such an amazing talent . Amos is one of the great singer songwriters of our  generation , and his new album is groundbreaking ."

In addition, he announces the dates for his upcoming North American fall headline tour. It begins September 6 in Burlington, VT at Flynn Center for the Arts, hits major markets across the country, and wraps November 19 at the Paramount Theater in Seattle, WA. The tour includes stops at iconic venues such as New York’s Radio City Music Hall, Washington DC’s Kennedy Center, and the Boston Opera House.  Check out the full confirmed itinerary below.  Most dates available for pre-sale June 7th, followed by general on sale June 10th at this purchase link HERE.

AMOS LEE continues to excite fans worldwide. His most recent album, Mountains Of Sorrow, Rivers Of Song, earned acclaim from The New York Times, Entertainment Weekly, Paste, and More. Previous offering, Mission Bell, took #1 on the Billboard Top 200. Along the way, he has perform on late night television shows Jimmy Kimmel LIVE!, Tonight Show with Jimmy Fallon, and the Late Show with David Letterman.  In addition to being musical guest for The Ellen DeGeneres Show and Tavis Smiley on PBS.


Amos Lee “Vaporize” Links -
Music / iTunes: http://republicrec.co/AmosLeeVaporize
Music / Apple: http://republicrec.co/AmosLeeVaporizeAM
Google Play: http://republicrec.co/AmosLeeVaporizeGP
Amazon: http://republicrec.co/AmosLeeVaporizeAZ
Spotify: http://republicrec.co/AmosLeeVaporizeSP


Amos Lee Bio

Over the course of more than a dozen years and six studio albums, Amos Lee has continued to evolve, develop, and challenge himself as a musician. With SPIRIT, he makes his biggest creative leap yet.

Most notably, for the first time, Lee acted as his own producer. While his last two albums bore the stamp of strong producers—Joey Burns of Calexico on 2011’s Mission Bell (which debuted at Number One on the Billboard 200, Amazon, iTunes charts, and spun off a hit single with "Windows are Rolled Down") and Jay Joyce (Little Big Town, Eric Church, Cage the Elephant) on 2013’s Mountains of Sorrow, Rivers of Song—Lee finally felt ready to take over the helm.

“I’ve been wanting to produce my own record for a long time,” he says, explaining that he met with numerous candidates before concluding that he should make the move. "What I wanted to provide was a place for musicians to come and feel they were able to express themselves, and contribute in their own voice the way I was able to contribute in mine.”

Lee’s sense of ambition for SPIRIT largely derived from his own live performing experiences in recent years. "Working with folks like the LA Philharmonic and the Mobile, Alabama Community Gospel Choir opened my mind to the possibility of pushing the edges of arrangement away from solitary moments into more collaborative, community experiences," he says. "These were transformative creative opportunities that I never dreamed I would have. To stand on stage and be equal parts participant and observer during these career-defining  moments was such a thrill, and I credit the singers, arrangers, and conductors for being so open and generous to the songs."

Along with such monumental events as working with the Colorado Symphony Orchestra (a performance which yielded Lee's most recent release, Live from Red Rocks), being a band leader over the last decade has also helped Lee hone his craft as an arranger. "I have a great, great band—the most gentle, genuine, musically open-minded people," he says. "I push them some, but they always respond with creativity, and they inspire me to open things up musically. The versatility of my live band has been a gradual concept I've been working on since I started playing at the club The Tin Angel in Philly in 2002. Back then, we would play three- or four-hour shows. We had horn sections, violins, extended jams, improvisational songs, and whatever else would come from the ether. This current group of players I have on the road with me has re-inspired me to be more open, and less protective. I think SPIRIT reflects this attitude, and the vibrations are very much reflections of the connections.

"I've always loved such a wide range of music." Lee adds, discussing some new influences, which were pulling him toward a new sonic direction. “I’ve been listening to a lot of Schoolboy Q, Drake, the earlier stuff by The Weeknd, and I was wanting to open up that box a little more,” he says. "I've always loved '90s R&B, and now with streaming services, it's so easy to sample so much new music."

To begin the new project, he began assembling musicians who he felt could blend a dynamic yet organic marriage of modern rhythm with classic instrumentation. “I chose the players because I had this instinct and hunger to challenge myself and expand,"says Lee, "and the foundation of this record was built when I chose the rhythm section.”

A performance by the Robert Glasper Trio in Philadelphia led Lee to the realization that Mark Colenburg was the drummer he was looking for. "I remember watching Mark play with such incredible facility and musicality," he says. "He's such a diverse and soulful listener. It was one of those eureka moments, and he elevated everything so much."

Lee had known bassist Adam Blackstone (who’s played alongside artists from Jay-Z to Al Green to Justin Timberlake) for years, but had never worked with him. "Adam is a genius," he says. "He's playing and hearing everything four bars ahead of everyone else. As a first-time producer, he was such a blessing to have." Finding a three-day window when both of these busy players were available, Lee—along his live band's musical director, Jaron Olevsky—went to Nashville. They knocked out ten songs,  most in one or two takes, and the core of SPIRIT was formed. 

“We had never played with this kind of rhythm section before,” says Lee. “And we came away from these sessions with a hybrid sound I wasn’t able to find in my previous records, but which I’ve always gravitated to as a listener—real gospel-soul-R&B stuff.”

This new energy is most apparent in a song like “Vaporize,” which served as a jumping-off point for Lee's vision of the record. But it was equally important that the album’s more straightforward, “singer-songwriter”-style songs were infused with a different approach. “With something like ‘Highways and Clouds,’ I didn’t want to just do the standard waltz feel that's led by the acoustic guitar,” he says. “I wanted to add dimensions to the arrangements and try to transform them, rhythmically and instrumentally, so that the album was cohesive. The demo versions of these songs are remarkably different from what came out through the recording process, and it was so much fun to explore feels and textures, and bear witness to the transformation.

 “The song ‘One Lonely Light’ had kind of a small, short verse with a sweeping chorus,” he continues. “I was always under the impression that if you just write a good song and play it, that’s the magic of it—which is not untrue, but now I also want to think about  arrangements that can be impactful in a live setting as well.  On my first album, I didn’t think about any of that, and Lee Alexander did such a great job making that album all about me and my songs and voice. But I’ve picked up enough information and experience that now I can inject what I’ve learned from working with so many great producers into helping mold arrangements that are more in tune with what I'm doing live."

Not that it was easy learning the ropes as a producer. “It’s not always magic-making,” says Lee with a laugh. “There’s a lot of grinding it out, with people you maybe don’t have a lot of history with, but it was such a joyous experience, even in those harder creative times."

For Amos Lee, SPIRIT is the fulfillment of dreams and aspirations—musical, personal, and professional—that he’s had for a long time. “All you can ask for as an artist is the chance to create what you hear and feel inside of yourself,” he says. “The performances by everyone gave me such a strong place to draw from, and being more connected to the arrangements made it easier and more fun to sing. For my first time producing, I could not have been luckier—I was able to get into the heart of every single moment of this record.”

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