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When

Occurs on Saturday October 6 2018

Approximate running time: 3 hours and 56 minutes

Venue

Nancy Marine Studio Theatre
84 Main Street
Torrington CT 06790

Performance Notes

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In what should be a highlight of the new season, soprano Anna Netrebko sings her first Met Aida, going toe-to-toe with mezzo-soprano Anita Rachvelishvili as Amneris. Later in the season, a second star-studded cast takes over, with Sondra Radvanovsky and Dolora Zajick as the leading ladies.Tenors Aleksandrs Antonenko and Yonghoon Lee alternate as Radamès, and Nicola Luisotti and Plácido Domingo take the podium for the Met’s monumental production.

Production a gift of Mrs. Donald D. Harrington

  • Sung In - Italian
  • Estimated Run Time - 3 hrs 36 mins
  • House Opens
  • Act I - 40 mins
  • Intermission - 30 mins
  • Act II - 43 mins
  • Intermission - 36 mins
  • Act III - 67 mins
  • Opera Ends

Creators

In a remarkable career spanning six decades in the theater, Giuseppe Verdi (1813–1901) composed 28 operas, at least half of which are at the core of today’s repertoire. His role in Italy’s cultural and political development has made him an icon in his native country. The story of Aida is thought to be the creation of Auguste Mariette (1821–1881), an extraordinary French archaeologist who was the founder of the Egyptian Museum of Cairo. Camille du Locle (1832–1903), who collaborated on the scenario with Mariette and suggested the story to Verdi, had worked with the composer on the libretto of Don Carlos. Aida’s librettist, Antonio Ghislanzoni (1824–1893), was a novelist and poet as well as the creator of some 85 libretti. 

Production: Sonja Frisell

Set Designer: Gianni Quaranta

Costume Designer: Dada Saligeri

Lighting Designer: Gil Wechsler

Choreographer: Alexei Ratmansky

Revival Stage Director: Stephen Pickover

Giuseppe Verdi

Composer
Giuseppe Verdi

Setting

The libretto indicates merely that the opera takes place in “ancient Egypt, in the time of the pharaohs.” This may sound vague, but it was a clear direction to approach the drama as myth rather than anthropology or history.

Music

The score of Aida is a sophisticated example of Italian Romanticism, imbued with a convincingly mysterious and exotic hue. Making no claims to authenticity, Verdi created a unique musical palette for this opera. The grandeur of the subject is aptly conveyed with huge patriotic choruses, most notably the unforgettable Triumphal Scene in Act II. These public moments often serve as frames for the solos of the leading tenor and soprano: his soaring “Celeste Aida” right at the beginning of Act I, her impassioned “Ritorna vincitor!” that follows, and her great internal journey, “Qui Radamès verrà! … O patria mia” in Act III.

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